Eleanor the Great (2025) is a comedy-drama directed by Scarlett Johansson that follows 94-year-old Eleanor Morgenstein (June Squibb), who moves to New York from Florida after the death of her best friend. While grieving, she misrepresents herself to join a Jewish seniors group, pretending to be a Holocaust survivor to find companionship, leading to complex consequences. Cannes Film Festival Un Certain Regard award nominee.
Mr. Nobody Against Putin (2025) is an Oscar-winning documentary following Pavel "Pasha" Talankin, a Russian schoolteacher and videographer in the Ural Mountains who secretly records the militarization of his school following the 2022 invasion of Ukraine. The film, directed by David Borenstein and Talankin, exposes how Putin's "patriotic education" forces teachers to indoctrinate children with pro-war propaganda.
Eleanor the Great (2025) is a comedy-drama directed by Scarlett Johansson that follows 94-year-old Eleanor Morgenstein (June Squibb), who moves to New York from Florida after the death of her best friend. While grieving, she misrepresents herself to join a Jewish seniors group, pretending to be a Holocaust survivor to find companionship, leading to complex consequences. Cannes Film Festival Un Certain Regard award nominee.
It Was Just an Accident (2025) is a political thriller directed by Jafar Panahi about a former Iranian political prisoner, Vahid, who believes he has found his former torturer. Vahid kidnaps the man, leading to a tense, moral road trip to confirm the man's identity, exploring themes of vengeance, trauma, and justice in Iran. Winner of the Palme d'Or at the 2025 Cannes Film Festival.
Peak Everything (also titled Amour Apocalypse) is a 2025 Quebecois romantic comedy directed by Anne Émond that explores falling in love amidst the existential dread of climate change. Quebec Cinema Awards Best Visual Effects
It Was Just an Accident (2025) is a political thriller directed by Jafar Panahi about a former Iranian political prisoner, Vahid, who believes he has found his former torturer. Vahid kidnaps the man, leading to a tense, moral road trip to confirm the man's identity, exploring themes of vengeance, trauma, and justice in Iran. Winner of the Palme d'Or at the 2025 Cannes Film Festival.
Köln 75 (2025) is a biographical film detailing the true story of 18-year-old Vera Brandes (Mala Emde), who defies parental disapproval and industry sexism to promote a 1975 jazz concert. Despite logistical nightmares, including the wrong piano and a difficult artist, her efforts result in Keith Jarrett’s legendary, improvised Köln Concert.
Köln 75 (2025) is a biographical film detailing the true story of 18-year-old Vera Brandes (Mala Emde), who defies parental disapproval and industry sexism to promote a 1975 jazz concert. Despite logistical nightmares, including the wrong piano and a difficult artist, her efforts result in Keith Jarrett’s legendary, improvised Köln Concert.
The Mother and the Bear (2024) is a comedic drama about Sara, an overbearing Korean mother who flies to Winnipeg to care for her daughter, Sumi, who is in a coma after a freak accident. While waiting for Sumi to wake, Sara navigates cultural alienation by meddling in her daughter's life, including trying to find her a husband.
The Choral is a testament to music’s power to sustain our souls in troubled times. This inspiring drama depicts a British choir director’s efforts to assemble an ensemble during the darkest days of the First World War. Dr. Guthrie (Ralph Fiennes) is forced to recruit his singers from among the town’s adolescent population. Under his guidance these teens will come to know the transcendent joys of singing together, while steeling themselves for their impending conscription. The Choral reminds us of the importance of cultivating community and using art to process anxieties and generate hope.
The Mother and the Bear (2024) is a comedic drama about Sara, an overbearing Korean mother who flies to Winnipeg to care for her daughter, Sumi, who is in a coma after a freak accident. While waiting for Sumi to wake, Sara navigates cultural alienation by meddling in her daughter's life, including trying to find her a husband.